Domaine de Chevalier

Mozart Paradox

The title intrigues just as much as it hints at the approach. Indeed, Mozart Paradox explores the interstice between contemporary invention and the timelessness of Mozart’s genius. A prodigious pianist with a fluid stylistic palette, Thomas Enhco loves to explore these territories where improvisation defies the score, and jazz infiltrates the classical idiom without ever contradicting it.

This project is in keeping with the tradition of transcriptions, where ornamentation, rubato and freedom of interpretation reinvent the original material. Here, virtuosity becomes a space for play, not for demonstration, but for the service of a renewed narrative. Recognizable but transformed Mozartian motifs melt into contemporary harmonic textures, while the rhythmic energy of jazz underscores the underlying tensions of the Maestro’s writing.

In this way, Mozart Paradox asks the question: what remains of Mozart when we shake up his form, when we extend his discourse beyond the baroque or classical framework? The answer lies in the delicate balance between fidelity and reinterpretation, between memory and actualization, creating an experience where past and present cohabit in the same momentum.

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Don Giovanni Overture (after the “Overture” of the opera Don Giovanni, K. 527)

Nachtmusik (after the fourth movement of Eine Kleine Nachtmusik, Serenade No. 13 for strings in G
major, K. 525)

Violin Sonata in E minor (after the second movement of the Sonata for piano and violin No. 21 in E
minor, K. 304)

Ave verum corpus (after the motet Ave verum corpus, K. 618)

Piano sonata in A minor (after the first movement of the Piano Sonata No. 8 in A minor, K. 310)

Piano sonata in A major (after the first movement of the Piano Sonata No. 11 in A major K. 331)

Kyrie (after “Kyrie” from the Great Mass in C minor, K. 427)

Waltz of the Priests (after “March of the Priests” from the opera The Magic Flute, K. 620)

Dissonance Symphony (after the first movement of the String Quartet No. 19 in C major

“Dissonance”, K. 465, and the fourth movement of the Symphony No. 40 in G minor, K. 550)

Là ci darem la mano (after the duet from the opera Don Giovanni, K. 527)

Lacrimosa (after “Lacrimosa” from the Requiem in D minor, K. 626)

Clarinet Concerto (after the second movement of the Clarinet Concerto in A major, K. 622

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♥ A tasting of wines from the Domaine de Chevalier is offered by the Bernard family.

Thomas Enhco, piano

Special rate : 40 €

PASS 5 concerts : 150 €  (places reserved)

Free : children -12 years

Musique en Graves :  +33(0)6 42 47 70 15  |  +33(0)7 85 82 19 47
courriel : contact@musique-en-graves.com

Other points of sale :

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Sud Bordeaux Tourisme : Martillac Information Office
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3 Place Marcel Vayssière, 33650 Martillac
+33 5 24 73 39 90

Domaine de Chevalier
102 chemin Mignoy
33850 Léognan